When you are working on your lyrics, have you ever wondered why it's so hard to think of a good way to say what you want to say, without it sounding boring or clunky or awkward ? Are you sometimes not happy with the lines you have written, and would like to say the same thing only in a more powerful or unusual way ? I think all songwriters and lyricists come against this from time to time, and as a friend recently asked me for help with some lines he wasn't happy with, I thought that I would share the way that I personally try and overcome this when it happens. It's pretty simple, I brainstorm, with myself, alone, on paper. Yes I know, I'm old fashioned. How I brainstorm: * I write the offending line, or pair of lines, at the top of the page. * I then write every conceivable variation of how I could write the same thing using different words and phrases, that I can think of. No matter how silly, daft, weird or over the top sounding they may be. ...
I found this interesting and easy to follow article on Facebook today, and thought to share it here as there are some really useful titbits of information in there. It discusses the various differences in synch licensing contracts, from different sources, plus clear examples of what is a good thing for a songwriter to sign, an OK contract, and a simply terrible contract so far as the songwriter is concerned. There is also some in depth description of just what a synch license is, what it is for and who it affects. This is useful information for any songwriters, and/or artists, starting out in the tv and film music business, as well as some extra detail for those who have a little more experience too. It is just one in a series of articles, the third I think. I'll share any others that are equally as informative here also. Click here for the article in Digital Music News: 'A Simple Guide to the Best Synch Deal Possible'
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