I rarely kiss and tell publicly (or even privately for that matter), but yesterday was a good day for me with regards to library submissions, and I truly want to thank my co-writers for their amazing musical interpretations of my words. A 'very romantic' newly established upper end library accepted 3 more tracks on which I am the co-writer (lyrics obviously), alongside the 3 tracks of mine they already have since they started. Thanks to my talented co-writers things are continually getting better and better. The songs in this library are: Heart of Stone - with Robbie Hancock From This Burn - with Robbie Hancock Washing In Washing Out - with Ethan Okamura & Louise Goldberg Better Off Blue - with Steven Guiles Blanket of Love - with Steve Collom and Dave Walton This Is The End - with Michelle Lockey I met all of these co-writers through Taxi Independent A&R, and many of these tracks were originally written for the amazing songwriting group GYAWS (Get Your A...
When you are working on your lyrics, have you ever wondered why it's so hard to think of a good way to say what you want to say, without it sounding boring or clunky or awkward ? Are you sometimes not happy with the lines you have written, and would like to say the same thing only in a more powerful or unusual way ? I think all songwriters and lyricists come against this from time to time, and as a friend recently asked me for help with some lines he wasn't happy with, I thought that I would share the way that I personally try and overcome this when it happens. It's pretty simple, I brainstorm, with myself, alone, on paper. Yes I know, I'm old fashioned. How I brainstorm: * I write the offending line, or pair of lines, at the top of the page. * I then write every conceivable variation of how I could write the same thing using different words and phrases, that I can think of. No matter how silly, daft, weird or over the top sounding they may be. ...
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